Showing posts with label Acrylics. Show all posts
Showing posts with label Acrylics. Show all posts

Saturday, November 4, 2017

Road Trip - With Photographs



Cropping - Ballan area, Victoria
Eucalyptus - Trentham, Central Victoria


For as long as I can remember, I’ve loved exploring unknown roads. I’ve always wanted to know about the things, the places and the people just out of sight, just out of reach.
As soon as I could ride a bike, I was off. At perhaps eight, or nine, I would set off “for a bike ride” on those long straight roads that created endless grids around the rural Waikato property I grew up on in New Zealand. I’d be gone all day and from memory, I don’t think my mother ever asked where I’d been. I sometimes wonder if she was ever worried about me.

Cropping - Ballan area, Victoria
Country pasture, Tylden, Central Victoria


I’d stop along the way to watch a group of California quails nodding their way through the long grass, or to watch a splendid golden pheasant chuckling to himself on the roadside. I might have stopped to investigate a dead rabbit and to wonder if there was any truth in the old saying that a rabbit’s tail brought you luck – and whether or not I should find a way to take it home…and what luck, if any, it might bring me.
I stopped in the summer heat to pop the bubbles forming in the tar seal; or to clamber through bushes to a bird’s nest I’d spied. It was always about Nature and enjoying the vastness of that green, green, peaceful country landscape.

Blackwood, Central Victoria

Eucalyptus, Anakie, Victoria
That urge to explore never left me. As an adult I’ve always explored the quiet back roads and I’ve encouraged my kids to do the same. I thrived in a job as a travel guide writer, travelling the length and breadth of New Zealand every two years to write a new edition. I never missed an opportunity on those trips, to venture down some side road simply because I liked the look of it. I’ve always ‘followed the signs’ – in every way.
Eucalyptus, Anakie, Victoria

Eucalyptus and  cropping, Ballan area, Victoria

 Now, living in Central Victoria in Australia, I am reacquainting myself with many places and relishing the chance to discover many more. It’s like opening a childhood treasure box all over again. As contradictory as it sounds, everything is so different here, and yet somehow the same – familiar, easy…just different enough to be exciting and similar enough to feel comfortable.

As I sit here, thinking back to my latest trip – to Geelong – I realise again, just how important the road trip itself is – more so than just about any destination. For me it is about clearing the head of daily routines and setting off in the expectation of the new. A road trip, much like a train trip, somehow loosens my imagination and I stop over and over again to see, to watch, to photograph the world around me. A trip that should take two hours, might take four. That’s the beauty of travel – making the time to really SEE.

Eucalyptus, Trentham, Central Victoria

Eucalyptus, Trentham, Central Victoria
Now that I have returned to painting, the ‘world’ I pass through is even more important to me, as I try to capture something of the essence of this new place in paint. I’m not out to replicate what I see. For me, painting is about the feeling of a place. I want to feel the freedom (as I paint), that is somehow encapsulated in the natural environment I see around me.  I want to feel again the joy I first felt when I saw the flush of red-gold of that freshly harvested wheat field I drove passed; I want feel the wonder I felt as I looked at yet another stand of gigantic gum trees – so different from the last – and I want to capture a little of the magic of their ghostly white trunks slashed with rust or plum pink.

Eucalyptus, Anakie, Victoria

Cropping, Ballan area, Victoria
Every time I go on a road trip, I collect images – literal (photography) and stored memories. And then later, when I stand in front of a blank canvas remembering those awe inspiring triggers, I freeze for a moment (sometimes for a week); and then, all at once, my brushes and knives take over and I am back there again – for a short time, deeply immersed in the beauty of this new world I have come to live in.


Thursday, May 18, 2017

Painting Trees

Cast paper torsos - one of the last major cast paper works I completed. Exhibited at Fisher Gallery Auckland and Sargent Gallery, Wanganui in the late eighties.

The last time I exhibited any artwork was at the Australian National Library in Canberra in 1986, as part of a New Zealand book arts show.

That was 31 years ago!

Then I switched to a full-time career as a freelance journalist/author and while book arts have continued to be a passion, I've never painted  since the 60 or so solo and group exhibitions I took part in all those years ago.

Now I'm facing down that yawning 31-year gap, wondering how to take the leap from 'art-before' to 'art-now.' As I set up my new studio space, I've felt inadequate, overwhelmed and more than a little bit terrified. I sit before my blank canvases and I wonder what to do.

I wonder if any idea I have, has any merit at all.
I wonder in fact, if I have completely 'lost my touch.'

Eucalyptus bark
So paralysed had I become that I decided to start painting trees - not pictures of trees, trees literally. Real trees. It seemed appropriate given my fascination with Australian eucalyptus, with the vivid colours of the Australian landscape and with Aboriginal art. 

So a few days ago, I dragged a huge 10-foot eucalyptus branch into my studio and I started painting it - totem-like. No plans, no expectations, just the child-like joy of rediscovering colour, pattern and texture in paint.
I  never imagined I would feel the exhilaration of painting again so soon. But it was there, hiding under all the nervous energy, the pathetic inadequacies and the fear of making the wrong brushstrokes. I feel like I have unleashed something that has been dormant for far too long.



I've quickly been seduced by possibilities and in between Australian paperwork, I am continuing to play with paint - to watch, to think, to read. I'm waiting quietly for things to happen in their own time. I'm letting ideas 'incubate.'



I'll stick with painting 'trees' for a bit longer, as I get to know a new medium.
Because, in the mood of the change that has taken me from Canterbury, New Zealand to Victoria, Australia, I have decided to try painting in acrylics. I used to paint in watercolours many moons ago and acrylics don't seem too far removed. There are a lot of technical similarities.
So I'm stacking the odds in my favour.



Yesterday, I spent the day at Mount Alexander Regional Park, near Castlemaine, sitting in complete silence among thousands of eucalyptus trees of all shapes and sizes. As I sat there listening and watching and photographing,  I began to sense the hazy beginnings of a canvas taking shape in my head.

It's elusive still.
Abstract.
One minute quite certain; the next, slipping away, undefined, like a dream you can only half remember.
I have hope.
I feel excited.
And I think I''m going to be okay.

All I really want is to continue to feel enlivened by the whole art-making process.
I want to 'shine a light' on the dark recesses, on my inner thoughts and imaginings.
I want to produce something I am happy with.
That's all.

That 31-year gap still seems unreal in a 'how-did-that-happen' kind of way but I feel certain that eventually I will make the leap to the very different kind of artist/painter that now resides within.
My success or otherwise seems irrelevant at this point.



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