Showing posts with label Eucalyptus. Show all posts
Showing posts with label Eucalyptus. Show all posts

Friday, August 4, 2017

Beaumaris, Melbourne




I don’t know a lot about the Melbourne suburb of Beaumaris. I just know I arrived here today, keen to explore. It was a two hour drive from Tylden, where I live, following eight notebook pages’ of instructions – a mental juggle, making sure I was in the right lane to take the right exit off the right freeway at the right time. It makes driving in New Zealand seem tame.


This afternoon I went walking around nearby streets. I was keen to check out the area – its houses, its shopping areas, its transport but I got side-tracked by the flora and fauna – specifically, the eucalypts. It’s so lovely to see all the suburban streets planted (mostly) with Australian native trees and plants – and just for the record, I see I took 27 photos of gum tree bark. One never knows I suppose. They could be just what I’m looking for one of these days.

 
Beaumaris, I’ve since read, is an affluent suburb 20 kilometres south-east of Melbourne’s central business district. It’s the suburb that fronts the waters of Port Phillip between Mentone and Black Rock Village. And that’s about all I know at this stage. The housing seems to be mixed stock – everything from old villas to swathes of 50s-60s housing, to the brand new contemporary – and further towards Black Rock and beyond (on the way to St Kilda), huge mansions hang on the slopes above the water.
The average mortgage monthly mortgage payment is AUD$2,383 compared to the Australian national average of AUD$1,800 or so and in many cases, you’d have to ask yourself, “is it really worth it?”


I see I have a cafĂ© around the corner – a couple in fact. Very handy. The little cluster of shops on Charman Road also includes a coin-operated laundrette, a pet-grooming facility, real estate agents (naturally), a podiatry provider, dentist, the Happy Milk Bar, a florist, a bottle store, a takeaway pizza place, two Vietnamese restaurants and a choice of five hair salons. Most of my immediate needs seem to be covered.



There are flowering gums everywhere, brilliant, scented bursts of wattle yellow, exquisite magnolia, flurries of suburban lavender and – my favourites, whole streets lined with huge ‘paper bark gums’ (bound to be the wrong name) with their thick, cushiony white bark flaking off in impressive drifts.


I’m back home now and there are at least three honey-eaters coming and going, collecting nectar from the grevillea bushes. They have a beautiful call. Otherwise, all I can hear is pigeons, an occasional magpie, a car or six and the rhythmic tick, tick tick of the big grandfather clock. I like it a lot.

 
 

Saturday, July 22, 2017

Getting Lost


         
Yesterday, I decided to go for a drive to photograph gum trees. I’m captivated by them and getting a good photograph of them can be difficult, given their propensity to grow in groups, casting a myriad of shadows upon one another.

More often than not, for that very reason, I find myself photographing close-up details – the swirls of coloured bark, the smooth, white, ghost-like limbs, the coarse trunks, the giant cathedral arches they form over Victoria’s country roads.


I set off from home on an unplanned tour. I had it in my mind to head south, in the direction of the gloomy, dark roadsides that often give me a sense of unease. For the most part, gum tree stands fill me with joy but once in a while I come upon cold, deeply shaded areas that unsettle me. I don’t know what it is – a sombreness that speaks of something lonely and unknown. It doesn’t frighten me exactly but it does set my imagination racing. I thought familiarity may give me a better understanding.

As it was, I ended up taking a host of ‘diversionary roads’ – those little byways that seem to pull me in to a new exploration. I’ve always been keen on exploring ‘the side roads of life’ and when I came upon a dead fox on the road, I knew I was on the right path.


I’ve only ever seen two live foxes in Victoria – from a distance, despite the fact that they are very common here, so a dead one – roadkill – provided me with my best opportunity yet for a close-up look.

Vulpes vulpes (the red fox) was first introduced to Australia in 1871, when some bright spark thought they’d be good for sport hunting. They were released into the wild in South Australia and around Geelong in South Victoria and within two decades, they had been declared a pest. Today they range right across Australia in a wide variety of habitats and they are a significant threat to vulnerable farm animals and to native wildlife.




Trees and foxes aside, this area of Victoria (loosely Central) is endlessly pretty. I prefer it in summer when the colours are vibrant and raw but even in winter there are arresting landscapes in every direction.

I drove through Fernhill – little more than a herd of goats, a trio of alpaca and a cluster of houses - and one of those the former general store; and back up to Trentham and  potato-growing country; then back down to the Pig & Whistle.



It seems an unlikely location for a pub but back in the mining and peak potato-growing days this part of East Trentham apparently sported three stores (now the Plum Tuckered Inn), across the road. Over time they were converted into a residence and these days they welcome paying guests, who can slip across the road to sample the famous Pig & Whistle Sunday roast. There’s a beer garden too and people come from miles around.

When I parked outside, I could see straight into the dining room – all prissy and prim with white table cloths and a Christmas tree, complete with twinkling lights, beaming out from one corner (in July).

I was actually more interested in the crazy hedge that had burst through the fence to grow in an interesting, ungoverned fashion; and the house next door to the pub that had strung up its teapot collection along an internal fence and balcony.

It was at this crossroads that I had a decision to make – left back to Woodend, right towards Blackwood, or straight ahead on an unknown road to an unknown place called Bullengarook. I opted for the latter and a few hundred yards along, I noticed a small sign (warning enough for any sensible navigator), declaring Bullengarook 20km away. Why go the way everyone else goes, I thought to myself, and off I went.


Within minutes the unsealed, red dirt road had taken me into deep forest – wet, dank, gloomy, silent, and not a soul in sight. The road became progressively narrower, more potholed, more corrugated, more horrifying and I began to question my decision.

I’m all for getting lost in most circumstances. It’s a worthwhile part of any trip to anywhere. It takes you away from the comfortable, the familiar and it makes you think. You see more, you learn more and you (hopefully) learn to deal with panic. Being tossed into the unpredictable heightens your curiosity. So I wasn’t about to turn around unless something made continuing impossible.

All the above said, I travelled almost the 20 kilometres in second gear, praying the car wouldn’t stop. With every corner, every hillock I hoped to emerge but it was endless and with my car windows fogging up (sweaty anxiety), I wondered  not only where I would come out but if I would come out at all!


Signs indicated that was I adrift somewhere in the Wombat State Forest, later merging into Lerderderg State Park. That’s 700km sq and 142.5 km sq respectively. I think I could be justified in a small swell of panic. It felt like I was the last person left on earth - until suddenly, a white 4WD appeared in my rear vision mirror. That should have been a relief. It wasn’t. My head naturally turned to an unscheduled encounter with a mass murderer. Resigned to my fate, I pulled aside.

As he flashed passed – in his POLICE vehicle! – I waved furiously hoping he might stop to help but he just tooted and sped off. It gave me hope though, that I wasn’t too far from civilisation (or a murder scene), and I felt confident enough to stop and pick some of the pretty pink flowers that had been taunting me from the undergrowth.


Thankful for wintering snakes, I stepped into the bush to pick a handful of what looked to be some kind of heather. I kept a lookout over my shoulder, half expecting the policeman to reappear to apprehend me for picking some rare forest specimen in a state park.

(In later research I’d narrowed it down to two likely candidates – either the Common Heath (Epacris impressa), or some kind of Scoparia, notable for flowers exactly like these and it’s prickly foliage. The latter is apparently endemic to Tasmania – a long way from Lerderderg State Forest in Victoria; but then, I was a long way from home too.

A mere ten minutes later, I passed a group of off-road vehicles and dirt bikes and then a house emerged from the shadows and I hit a sealed road again. My relief was palpable.
I’m not sure I ever found Bullengarook. Other than a small cluster of houses and a recreation reserve, there seemed to be no visible sign of the 681 people (2006 Census) who reputedly live in the area. I never saw any wallabies, nor any wombats, echidnas, wedge-tail eagles or cockatoos who are said to live in the forest either. My memory is clouded by one policeman, a shocking road and a megaton of gloom.

It’s true though, you do learn by getting lost. Next time I see a small grey sign and a red dirt road leading into an Australian gum forest, I will go in exactly the opposite direction

Thursday, May 18, 2017

Painting Trees

Cast paper torsos - one of the last major cast paper works I completed. Exhibited at Fisher Gallery Auckland and Sargent Gallery, Wanganui in the late eighties.

The last time I exhibited any artwork was at the Australian National Library in Canberra in 1986, as part of a New Zealand book arts show.

That was 31 years ago!

Then I switched to a full-time career as a freelance journalist/author and while book arts have continued to be a passion, I've never painted  since the 60 or so solo and group exhibitions I took part in all those years ago.

Now I'm facing down that yawning 31-year gap, wondering how to take the leap from 'art-before' to 'art-now.' As I set up my new studio space, I've felt inadequate, overwhelmed and more than a little bit terrified. I sit before my blank canvases and I wonder what to do.

I wonder if any idea I have, has any merit at all.
I wonder in fact, if I have completely 'lost my touch.'

Eucalyptus bark
So paralysed had I become that I decided to start painting trees - not pictures of trees, trees literally. Real trees. It seemed appropriate given my fascination with Australian eucalyptus, with the vivid colours of the Australian landscape and with Aboriginal art. 

So a few days ago, I dragged a huge 10-foot eucalyptus branch into my studio and I started painting it - totem-like. No plans, no expectations, just the child-like joy of rediscovering colour, pattern and texture in paint.
I  never imagined I would feel the exhilaration of painting again so soon. But it was there, hiding under all the nervous energy, the pathetic inadequacies and the fear of making the wrong brushstrokes. I feel like I have unleashed something that has been dormant for far too long.



I've quickly been seduced by possibilities and in between Australian paperwork, I am continuing to play with paint - to watch, to think, to read. I'm waiting quietly for things to happen in their own time. I'm letting ideas 'incubate.'



I'll stick with painting 'trees' for a bit longer, as I get to know a new medium.
Because, in the mood of the change that has taken me from Canterbury, New Zealand to Victoria, Australia, I have decided to try painting in acrylics. I used to paint in watercolours many moons ago and acrylics don't seem too far removed. There are a lot of technical similarities.
So I'm stacking the odds in my favour.



Yesterday, I spent the day at Mount Alexander Regional Park, near Castlemaine, sitting in complete silence among thousands of eucalyptus trees of all shapes and sizes. As I sat there listening and watching and photographing,  I began to sense the hazy beginnings of a canvas taking shape in my head.

It's elusive still.
Abstract.
One minute quite certain; the next, slipping away, undefined, like a dream you can only half remember.
I have hope.
I feel excited.
And I think I''m going to be okay.

All I really want is to continue to feel enlivened by the whole art-making process.
I want to 'shine a light' on the dark recesses, on my inner thoughts and imaginings.
I want to produce something I am happy with.
That's all.

That 31-year gap still seems unreal in a 'how-did-that-happen' kind of way but I feel certain that eventually I will make the leap to the very different kind of artist/painter that now resides within.
My success or otherwise seems irrelevant at this point.



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